Content Page List
Broad production schedule
Shot list
Equipment boooking
Budget,Costs/Makeup,costume,props
Cast and crew
Production Schedule
Lighting test shot
Risk assesment
Location Recce
Actor release form
Copyright Clearance request form
BROAD PRODUCTION SCHEDULE
Dates | Tasks |
May 2022 | Start all pre-production |
20 June 2022 | Contact potential cast and crew |
21 June 2022 | Location scouting until 28 June |
26 June | Sourcing and creating props and costumes(Shopping at westfield) |
15 July 2022 | Finish pre-production |
6 August 2022 | First cast and crew meeting |
19 September 2022 | Collect equipment |
22 September 2022 | Rehearsal/cast and crew meeting |
26 September 2022 | Start Filming |
20 October 2022 | Finish Filming |
14 to 21 November 2022 | Reshoot it needed |
Late November 2022 | Start Editing |
16 December 2022 | Finish Editing |
April 2022 | Screen film Premiere |
SHOTLIST
Shot | Scene | Frame | Angle | INT/EXT | Description |
1 | 1 | ms | Low angle | INT | A shot of footsteps as walking |
2 | 1 | EC | Level | INT | Extreme close up of the eyes of the man as Hes walking from the side of his face and as Hes walking we slowly move away and we see his facial features. |
3 | 1 | ms | Low | INT | A shot from the back of the man as he takes his keys out of his pocket |
4 | 1 | ms | Low | INT | Same scene but shot from the side and we cut to the part where he has just taken the keys out and is now putting the keys in the lock and unlocks the door. |
5 | 1 | MS | Low | INT | The camera is on the other side of the door and we see the lock unlocking and the door being opened. When the door fully opens it goes into the camera causing a black screen. |
6 | 1 | Wide | Leveled | INT | Camera set on the side table of the door and we get a side shot of him walking in and dropping his keys on the table. |
7 | 1 | Wide | Leveled | INT | The camera follows on to him from the previous shot and he walks takes his coat off slowly. And the camera goes over his shoulder as he stopped due to the body on the floor. |
8 | 1 | wide | Leveled | INT | Camera is opposite the body and has got the man straight in shot and we can see him rushing to get the phone which is on the table on the side |
9 | 1 | Ec | Middle | INT | Close up of his face as the phone is on his ear |
10 | 1 | MS | Middle | INT | The man nods his head. |
11 | 1 | ms | Low | INT | Shot of the phone being put down on the table. |
12 | 2 | Cs | Middle | INT | Close up shot of the door knocking |
13 | 2 | Mid shot | Eye level | INT | Shot of the man walking from behind and reaching out for the door and opening it |
14 | 2 | Mid shot | Eye level | INT | As the door opens the man moves to the side with the door and a group of forensics team walk in. |
15 | 2 | Mid shot | Low Angle | INT | Side view of the legs of people rushing in. |
16 | 2 | Over the shoulder | Eye level | INT | A back shot of all the people walking in the house and walking to the body on the floor to examine what's wrong. |
17 | 2 | Mid shot | Eye level | INT | Shot back to the door and we see a silhouette of a man an outline and he slowly walks forward and we see his face |
18 | 2 | Mid shot-Over the shoulder | Eye level | INT | This shot is first focused on the silhouette of the man and then goes across over the shoulder to the detectives shoulder so show he is looking at parker |
19 | 2 | Close up | Eye level | INT | We get a close up of the detective eyes staring into parkers eyes showing an intense look |
20 | 2 | Mid shot | Eye level | INT | The camera moves back and we get the detective dialogue in shot. |
21 | 2 | Mid shot | Eye level | INT | Slowly moving away parker replies and avoiding eye contact and the detective replies back and then the camera moves away and leaves them in distance. |
22 | 2 | Mid shot | Eye Level | INT | Parker stand still in one place and the detective walks behind him looking him up and down and walks away. |
23 | 2 | Extreme close up | Low | INT | Detective wears his gloves |
24 | 2 | Mid shot | Eye Level | INT | The detective moves to the body and bends down and looks at it and takes an id card which was on the floor next to the body and reads it |
25 | 2 | Mid shot | Eye level | INT | As he is looking at the body he looks up and talks to parker and parker seems a bit unsettled and replies back. |
26 | 3 | Mid shot | Eye level | INT | A shot of the body being examined by all forensics |
27 | 3 | Mid shot | Low | INT | Camera on the floor and the body is in a white zip bag and the zip closes |
28 | 3 | Close up | Low | INT | The Zip closes onto the camera which cuts to the next shot |
29 | 3 | Mid shot | Eye level | INT | As the body is being taken parker in the back is taking his coat coat off and sitting down on the sofa |
30 | 3 | Over the shoulder | Eye level | INT | Detective walks to parker and says his quote so parker gets really unsettled and questions |
31 | 3 | Mid shot | Eye level | INT | Parker gets up out o f the chair and argues with the detective |
32 | 3 | Close up | Low level | INT | Parker turns around and detective puts handcuffs on him |
33 | 3 | Mid shot | Eye level | INT | Detective holds parkers arm and drags him out of the house doors |
34 | 3 | Mid shot | Eye level | INT | Detective holds his arm and walks down the corridor dragging him |
35 | 3 | Mid shot | Eye level | INT | Detective takes him down the stairs and walks out of the building. |
36 | 3 | Mid shot | Eye level | EXT | Parker is dragged out of the building and is taken to he police car where the detective opens the door and sits parker inside and closes the door on him |
37 | 3 | Mid shot | Eye level | EXT | The car drives off and we get a iew from the back |
38 | 4 | Mid shot | Eye level | EXT | The cars arrive at the police station and we get shot of parker sitting in the car |
39 | 4 | Mid shot | Eye level | INT | Detective gets out of the car comes around and opens the door for parker and he gets out and they walk in the police station. |
40 | 5 | Mid shot | Eye level | INT | Parker and david are sat in a dark room on a seat face to face where parker is being asked questions. |
41 | 5 | Over the shoulder | Eye level | INT | Over the shoulder of parker where detective and him are having a conversation.and detective writes down on a paper as hes listening |
42 | 5 | Mid shot | Eye level | INT | Their conversation ends and parker gets up and leaves the room |
43 | 5 | Over the shoulder | Eye level | INT | Detective is stood on the other side of the glass and talking to the other officers |
44 | 5 | Close up | Eye level | INT | Parker sitting in the room tapping the table |
45 | 5 | Mid shot | Eye level | INT | Door open and officers walk in and drag parker out of the room |
46 | 5 | Mid shot | Eye Level | INT | They put parker in a cell and lock him up |
47 | 5 | Mid Shot | Eye Level | INT | Parker standing in cell and holding the bars |
48 | 5 | Mid shot | Eye level | INT | Detective walks in and looks at parker talks to him while looking straight at parker in the eye |
49 | 5 | Over the shoulder | Eye level | INT | Over the shoulder of detective and camera is focused on parker and his facial expressions after detective talks to him |
50 | 5 | Mid shot | Eye level | INT | Fully focused on parker and how he gets really angry and tries to pull the bar and shouts for help |
51 | 5 | Mid Shot | Eye level | INT | Shot of parker sitting on the floor in jail with his head bend down to his legs |
52 | 6 | Mid shot | Eye level | INT | Parker sitting in the corner isolated in the dark |
53 | 6 | Mid shot | Eye level | INT | Detective is walking in to the room with officers around him. Walking towards parkers cell |
54 | 6 | Mid shot | Eye level | INT | Officers open the lock of the door and detective walks in and crouches down to parker and talks to him face to face. |
55 | 6 | Close up | Eye level | INT | Parker takes his head up and looks at the detective and is confused with what just happened and how come he is allowed to go |
56 | 6 | Mid shot | Eye level | INT | Parker gets up and so does the detective and parker leave the cell |
57 | 7 | Mid shot | High | INT | Parker wakes up in bed and then gets out puts his shoes on and walks away |
58 | 7 | Over the shoulder | Eye level | INT | As parker is walking the camera follows to the kitchen parker gets a cup and puts it under the coffee machine and presses the button and walks away to the phone and picks it up and on the phone, we see David Adams name and he dials it. |
59 | 7 | Close up | Eye level | INT | Parker on call-phone next to his ear and talking |
60 | 7 | Mid shot | Eye level | INT | Parker walks to get his coffee while he has the phone to his ear. |
61 | 7 | Mid shot | Eye level | INT | David Adam hears the phone ring and goes to pick it up. |
62 | 7 | Mid shot | Eye level | INT | They both have a conversation on call |
63 | 7 | Close up | Eye level | INT | Parker hangs up on call and has an evil smile on his face |
64 | 8 | Mid shot | Eye level | INT | Doorbell rings parker goes to open it |
65 | 8 | Mid shot | Eye level | INT | David Adams walks in and parker closes the door at the back |
66 | 8 | Mid shot | Eye level | INT | Parker takes David Adams coat and hangs it up on the hook while David walks to the sofa |
67 | 8 | Mid shot | Eye level | INT | They both sit on the sofa and talk for a while and then parker asks about coffee |
68 | 8 | Mid shot | Eye level | INT | Parker gets up and walks to the kitchen |
69 | 8 | Mid shot | Eye level | INT | David gets up and walks around |
70 | 8 | Mid shot | Eye level | INT | Parker is in the kitchen making coffee |
71 | 8 | Mid shot | Eye level | INT | David is still walking around looking at all the certificates and frames on the wall |
72 | 8 | Close up | Low | INT | Parker opens a capsule and puts powder in the coffee of David |
73 | 8 | Close up | Low | INT | Parker mixes the coffee and picks up the tray and when he leaves the frame the camera focuses on TH-16 which is on the counter top and zooms in on that. |
74 | 8 | Mid shot | Eye level | INT | This is where parker walks out with the tray of coffee and puts it on the table |
75 | 8 | Mid shot | Eye level | INT | Parker sits down and they both drink coffee and have a discussion |
76 | 8 | Mid shot | Eye level | INT | They have a conversation |
77 | 8 | Mid shot | Eye level | INT | Parker takes the tray back in the kitchen and david gets up |
78 | 8 | Mid shot | Eye level | INT | David goes to the hook where his coat is and takes it off and sees something on the floor nearby the kitchen picks it up and looks at it |
79 | 8 | Close up | Eye level | INT | Close up of parkers eyes and the bottle which he picked up and he Is shocked the camera follows his steps and he puts it in his pocket quickly |
80 | 8 | Mid shot | Eye level | INT | Nervous look on Davids face but he wears his coat and when parker comes back they shake hands and parker opens the door for him and David leaves |
81 | 9 | Mid shot | Eye level | EXT | Shot of David leaving the building and getting into his car |
82 | 9 | POV | Eye level | EXT | Pov of David driving his car |
83 | 9 | Over the shoulder | Eye level | EXT | David parks and walks into another building and camera follows him until he walks through the double doors the camera stops on the glass of the door |
84 | 9 | Middle shot | Eye level | INT | David examines the pills |
85 | 9 | Close up | Eye level | INT | David holds the pill close to his eyes and is staring at it extremely shocked |
86 | 9 | Mid shot | Eye level | INT | David runs out the doors |
87 | 9 | Mid shot | Eye level | EXT | Gets into car and drives off |
88 | 9 | Mid shot | Eye level | EXT | David sitting in this car driving insanely fast |
89 | 10 | POV | Eye level | INT | David arrives at parkers building so he runs in the sees parker standing in the corridor locking his apartment. |
90 | 10 | Mid shot | Eye level | INT | Parker walks forward to the detective and they walk |
91 | 10 | Mid shot | Eye level | INT | David holds his chest and is falling to the floor and has one hand on the wall trying to hold himself up |
92 | 10 | Mid shot | Eye level | INT | They talk and Parker start speaking when David is completely on the floor |
93 | 10 | Mid shot | Eye level | INT | Parker walks off and the cameras is fully focused on him and he walks out of frame and the cameras is on David on the floor –cut to black |
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EQUIPMENT BOOKING
# | Scene | Equipment | Detail | Source | Booking. |
1 |
| Canon EOS 4000D | Camera for filming the film | Myself | Already own |
2 |
| DSLR Tripod | For holding the camera in a set place during filming | Myself | Already own |
3 |
| Mic Kit |
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| HP Laptop | Needed for saving files and working on editing | Myself | Already own |
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| Adobe after effects | Needed to add effects in to the film | School | Already own |
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| Adobe premier pro | To edit and assemble the whole film | School | Already own |
7 |
| Lighting set | To add different light effects to the film |
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| Camera Lense 75-300mm | For very close up and distance shooting | Myself | Already own |
9 |
| Camera lense 18-55mm | For normal mid shot scenes | Myself | Already own |
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BUDGET AND COSTS/ Costume,Makeup &Props
ITEM | RATE | AMOUNT | TOTAL | ACTUAL | VARIANCE |
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Small glass bottle | 99-£2.00 | 1 | 99-£2.00
| - | N/A |
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Handcuffs | £13.10 | 1 | £13.10 | - | N/A
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Blue flashlight | £9.99 | 1 | £9.99
| - | N/A
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Costume |
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Police uniform | £19.99 | 1 | £19.99
| - | N/A
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Detective Hat | £6.54
| 1 | £6.54
| - | N/A
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Forensics | £4.99 | 1 | £4.99
| - | N/A
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Robe | £23.99 | 1 | £23.99
| - | N/A
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Food |
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Day 1 lunch | £1-5 | 5 | £5-£15 | £5 | NA |
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Day 2 lunch | £1-5 | 5 | £5-£15 | £5 |
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Day 3 Lunch | £1-5 | 5 | £5-£15 | £5 |
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Day 4 lunch | £1-5 | 5 | £5-£15 | £5 |
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Day 5 lunch | £1-5 | 5 | £5-£15 | £5 |
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CAST AND CREW
# | Name | Character | Personal Contact | Agent Contact | Notes |
1 | Joe Owen | Writer-William parker | Owenjoe027@gmail.com
| Julia kot |
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2 | Julia Kot | Roommate/publisher-Walter Kane | j.kot12@hotmail.com
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3 | Ege iste | Detective-David Adams | egeoyuryuz@gmail.com | Julia Kot |
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4 | Melania kostova | Lab assistant | 2021m.kostova@arkputneyacademy.org |
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Crew
# | Name | Role | Personal Contact | Agent Contact | Notes |
| Kaiynat Rauf | DOP,Director | Kaiynat.ahmed28@gmail.com | - | - |
| Melania Kostova | Editor | 2021k.rauf@arkputneyacademy.org | - |
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| Julia Kot | Prop-Costume designer | j.kot12@hotmail.com | - |
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SCHEDULE
Date | Time | Shot no | Description | SC | INT/EXT | Location | Props | Special equipment | Cast | Crew |
3/10/22 | 12pm | 1,2,3,4 | All corridor scenes | 1 | INT | Corridor | keys | Camera Audio set | all | all |
| 12:40 | 5,6 | Close up scene of kays and entering the room | 1 | INT |
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| Camera Audio set | all | all |
| 1:00 | 6-35 | All classroom scenes shooting every little part | 1,2,3 | INT | Classroom | Handcuff,Gloves, White bag | Camera Audio set | all | All |
LUNCH | 2:30 |
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| 3:30 | 35-39 | All the outdoor scenes | 4 | EXT | Parking |
| Camera Audio set | all | all |
WRAPUP DAY 1 | 4:30pm |
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4/10/22 | 10am | 46-47 | The transitioning scene from cell to room | 5 | EXT | Parking | N/A | Camera Audio set
| all | all |
| 12pm | 48-56 | The police station scenes where parker is in jail | 5,6 | INT | Common room | N/A
| Camera Audio set
| all | all |
LUNCH | 1:00 |
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| 2:00 | 57-67 | The scenes in classroom where we shoot the bedroom a new scene | 7,8 | INT | Classroom | Robe, slippers | Camera Audio set
| all | all |
WRAP UP | 4pm |
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5/10/22 | 12pm | 68,70,72,73,74,77, | The scenes of kitchen merged into one timing | 8 | INT | School Kitchen | Tray,cups,Coffee | Camera Audio set
| all | all |
LUNCH | 1pm |
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| 2pm | 65,66,67,69,71,73,74,75,76,78,79,80 | Classroom scenes they have coffee-wrap up coffee time and start to leave | 8 | INT | Classroom | Small glass bottle | Camera Audio set
| all | all |
WRAP UP |
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6/10/22 | 12pm | 81-85 | This transitioning scene from 81-85 is going from parking to science lab which is receating the forensics part | 9 | INT/EXT | Parking-Science lab | Test tube Science machinery(TBC) | Camera Audio set
| all | all |
LUNCH | 1pm |
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| 2pm | 86,89,90,91,92,93 | The last few scenes which is shot in the corridor where we see a dramatic ending | 9-10 | INT | Corridor | N/A
| Camera Audio set
| all | all |
| 3pm | 87,88 | The 2 parking scenes which will be the detective runningout of his car and going up the stairs | 9-10 | EXT | Parking | N/A
| Camera Audio set
| all | all |
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The last day 7/10/22 is the day of catching up on any scenes shots missed and ensuring we have all the shots.Ao specific timetable but we will go down the script and see what we have left and what we can improve
LIGHTING TEST SHOTS
Shot | Scene | Set up | Image |
40-63 | 5,6,7 | I will film outside in the daylight which will give this lighting effect | 
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1-39 | 1,2,3,4 | I will use dark daylight,either will create this indoors lwith led lights or I can use the dark lighting from outside | 
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64-93 | 8,9,10 | This lighting I will create in a room by using less lighting or shooting outside in the dark,I could also open all the curtians and use the dark lighting and turn all artificial lighting off | 
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RISK ASSESMENT
Hazard | Person/Equipment at risk | Control taken | Severity of Injury | Chance of Injury | Risk |
Wires | People tripping and causing equipment to fall | Tape down all the wires | Not serious | low | low |
Science lab | Anything can happen/chemical spillage gas leak | Ensure all gas is off and no running | Serious | Low | Low |
stairs | Stairs in the parking you can trip | Ensure you take steps carefully | Not serious | Low | Low |
Heavy equipment | People at risk if they don’t handle heavy equipment properly | Ensure to hold carefully and carry what you can with the help of someone | serious | Low | Low |
Kitchen | People or set can set on fire | Ensure you are careful near the stove and no messing about | Serious | Low | Low |
LOCATION RECCE




ACTOR RELEASE FORM
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